NFF2023 Event Review: Women In Film

This year’s selection of Women in Film shorts offered up a rich and varied experience. It is impressive that all five films, being shown in quick succession, managed to stay…

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Filmmaker Spotlight: Hirokazu Koreeda

Written by Patricia Xu “I’ve learned to value ordinary life. And I still have a wish to portray that.” – Hirokazu Koreeda Hirokazu Koreeda is one of the greatest contemporary…

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Minari (2020) – Film Review

Review by Patricia Xu A Korean family makes a new start in Arkansas in the 1980s, where they find new challenges and struggles in the farming business and from within…

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Confessions (2010) – Film Review

Confessions (natively known as Kokuhaku) is a difficult film to review as a single picture, since it really doesn’t feel like it is one. The 2010 revenge-focused crime/mystery thriller, directed…

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Event Review – The Souvenir

At our previous festival in November 2019, we were thrilled to host a screening of The Souvenir, along with a specially-filmed introduction from Honor Swinton Byrne and a post-screening Q&A with…

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Andhadhun – Film Review

The hardest part about discussing Andhadhun (2018) is the fact that there is no way to explain any aspects of the plot without somewhat ruining it. Any attempt at simplification…

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Pain and Glory Review

Almodovar’s latest masterpiece, Pain and Glory – otherwise known as Dolor y Gloria, is a thought provoking indulgence into the intimate parts of life; as have all of his preceding…

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Review: Midsommar

If ever a film was a perfect interpretation of an oxymoron then Midsommar (2019) is that film! Chaotically peaceful and beautifully traumatic thematically plague the narrative of this macabre Scandi…

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